The necessity of writing, and of doing it this way, here. Just as fanfiction must inhabit the network because it is verboten, undoable, unsayable elsewhere, it is at the same time the necessary form of expression online. But all online writing is fanfiction, replicating not the characters but the concepts of the memespace, the context. All writing has always been fanfiction, merely awaiting the network to reveal its true form. We declared the death of the author prematurely. Barthes was a futurist, like BS Johnson. Technology is our modernity.
On physical computing: "It is difficult today to realise how bold an innovation it was to introduce talk about paper tapes and patterns punched in them into discussions of the foundations of mathematics."-Max Newman. Long before computational systems-which is coming to mean all systems-long before such systems were virtual, Turing took the abstract, invisible conditions of mathematical logic and formalised it into the physical: first as text, then as mechanics, later as electrons.
But that upswing in reading-through-technology is also taking place as parents are worried that students aren't doing enough reading for fun. Just 47 percent of parents said they were satisfied with the amount of time their children spent reading for fun, down from 58 percent two years ago. And when children read for pleasure, they usually aren't doing it with e-books. Eighty percent of children surveyed said they rely on print books for fun reading, as opposed to just 20 percent who either read through e-books or a combination of e-books and print.
Everything beckons to us to perceive it. My appreciation of a contemporary text is an appreciation of the network: will this text link me to further texts which will, knowingly or unknowingly, connect me to other texts that will expand or heighten my appreciation, not of it or the other text, but holistically, will raise the network value of texts and experiences in general. And the texts want this too: they are longing for the network.
So, to everyone who's recently emailed me, and has not heard back yet, I'm sorry. I will get to your email, but it's going to take me some time to read them all and reply individually (which I feel everyone deserves even if the book does not appeal to me). I hate form emails and imagine that authors and publishers hate form rejections. Have you ever gotten this behind before? Is it just me, or is saying 'no' really hard to do?
On physical computing: "It is difficult today to realise how bold an innovation it was to introduce talk about paper tapes and patterns punched in them into discussions of the foundations of mathematics."-Max Newman. Long before computational systems-which is coming to mean all systems-long before such systems were virtual, Turing took the abstract, invisible conditions of mathematical logic and formalised it into the physical: first as text, then as mechanics, later as electrons.
But that upswing in reading-through-technology is also taking place as parents are worried that students aren't doing enough reading for fun. Just 47 percent of parents said they were satisfied with the amount of time their children spent reading for fun, down from 58 percent two years ago. And when children read for pleasure, they usually aren't doing it with e-books. Eighty percent of children surveyed said they rely on print books for fun reading, as opposed to just 20 percent who either read through e-books or a combination of e-books and print.
Everything beckons to us to perceive it. My appreciation of a contemporary text is an appreciation of the network: will this text link me to further texts which will, knowingly or unknowingly, connect me to other texts that will expand or heighten my appreciation, not of it or the other text, but holistically, will raise the network value of texts and experiences in general. And the texts want this too: they are longing for the network.
So, to everyone who's recently emailed me, and has not heard back yet, I'm sorry. I will get to your email, but it's going to take me some time to read them all and reply individually (which I feel everyone deserves even if the book does not appeal to me). I hate form emails and imagine that authors and publishers hate form rejections. Have you ever gotten this behind before? Is it just me, or is saying 'no' really hard to do?
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